This will create 2-tier healthcare in Ontario in which patients will be faced with an increasing array of user charges and extra billing for care when they are sick, elderly, in need and least able to pay. The privatization of Ontario health care must be stopped immediately.

This is why for over a century people in communities across Ontario have funded and built their local public hospitals. Our government responded to this need 70 years ago by creating a public hospital system. It is also one of the reasons that private hospitals have been banned since 1973.

If you live in Ontario, you can vote online in a province-wide referendum at https://publichospitalvote.ca/ before the end of the May 26-27 weekend. Or you can vote in person across the province. Find your location here at the same link. You can also become involved in reversing this government decision through https://www.ontariohealthcoalition.ca/.

This shift toward the privatization of Ontario healthcare must be stopped.

Joining me for this online discussion are former hospital administration staff member Marion Burton, Dr. Paul Cragg (retired), Nurse Practitioner Meaghan Allen and healthcare activist Roy Brady. This episode was recorded in Peterborough on May 21st, 2023.

Why should governments at all levels subsidize the arts? 

Encourage cultural enrichment: Concerts, live theatre, dance performances, art gallery shows, readings and film festivals are all important components of the arts and culture ecosystem of many communities. By subsidizing these expressions of creativity, governments can promote local art scenes, diversify the experiences available to community members, and contribute to cultural enrichment.

Boost local economy: All the above components of local art scenes can bring economic benefits to host communities by attracting tourists, creating jobs, and supporting local businesses. The arts can generate a surprising volume of revenue for their host communities.  Government subsidies can help to sustain and grow the arts community, which in turn can strengthen local economies. According to Hill Strategies Research Inc., Canadian performing arts organizations generate $2.70 for every $1.00 of government investment.  Also, visual arts contributed more than $8 billion to the Canadian economy in 2022 (Hill Strategies Research).

Increase accessibility: The costs of attending concerts, gallery displays, theatre or dance performances, and films can be prohibitively expensive, and not everyone is able to afford to attend these events. Government subsidies make the arts more accessible to a wider audience. Subsidies allow venues to offer pay-what-you-can admission policies.

Support artistic freedom:  Creative forms such as theatre, dance, painting, photography, sculpture, film and music allow artists to express themselves freely and explore different new themes. By providing subsidies, governments can help to support artistic freedom and ensure that artists are not unduly limited by financial constraints. Public funding ensures that a broader range of voices are heard and more diverse stories are told.

Preserve cultural heritage: Many traditional art forms and practices are at risk of being lost, stolen or forgotten. By subsidizing the arts, governments can help to preserve cultural heritage and ensure that future generations can benefit from the richness of the local traditions.

Overall, funding and supporting the arts can provide a range of benefits to the community at large, especially here in Peterborough. The arts also offer a bridge for building understanding between settler communities and First Nations.

Given the above points, from a business standpoint, why doesn’t the City of Peterborough increase its investment in the arts?  Instead, arts funding is shrinking relative to our growing population.  How come?  A few weeks ago, one of Peterborough’s local gems — The Theatre on King or TTOK, had this year’s grant from the City slashed to zero.  Thankfully, since this grant denial was announced, TTOK launched a successful fundraising campaign to keep the doors open for at least the next 12 months.  But dashing from crisis to crisis is not an enduring way to sustain any arts organization.  In the long run, stability is a more constructive environment for the arts community than one of constant panic.  

According to our panel of Su Ditta, Bill Kimball and Kate Story, funding for the arts in Peterborough needs to be managed by an independent body or agency — a professional arts council — that is, at arm’s length from elected officials. This discussion was recorded on April 23rd, 2023 and is just over 53 minutes long.

Our panellists have a wealth of experience in fostering and promoting the values that underpin Black History Month. Stephen Wright emigrated with his family from Jamaica to Canada as an 8-year-old and has lived in New Brunswick, Alberta and now Peterborough; from 2018 to 2022, Stephen served as a Peterborough City Councilor representing Northcrest Ward. In the 2022 municipal election, he ran as a candidate for mayor of Peterborough. Rosemary Sadlier was born and raised in Toronto; she has degrees in teaching and social work. Her roots in Canada reach back to pre-Confederation: her mother’s family can be traced to 1840, while her father’s ancestors arrived in New Brunswick in 1793 as United Empire Loyalists. Rosemary was the president of the Ontario Black History Society (OBHS) from 1993 to 2015. As president, she contributed to the recognition of Black history through education, research and outreach programs. Rosemary’s pressure was central to the Canadian government’s 1995 decision to make the celebration of Black History Month a national annual event. Along with the 1995 establishment of National Black History Month, in that same year, Rosemary also initiated the formal celebration of August 1^st as Emancipation Day, which is still being sought nationally.

Our discussion touches on the coverage of Black History Month across the country and Peterborough’s very recent recognition of this month on the municipal calendar. In future, could we do more by reflecting on how we might recognize this month of significance for citizens of all backgrounds in our community? This panel discussion was recorded online on February 17th, 2023

It would be naive to just blame the ripple effects of the Trump presidency. But the Trump effect, coupled with the pandemic, the outbreak of war in Europe, the worsening climate crisis, the bloated cost of living and the extreme income inequality surely must be factored into this toxic stew.  Whatever the causes of this grim trend, all of these factors are multiplied and disseminated by the Internet, social media and our 24-hour news cycle.  When bad news happens anywhere, we all know about it within minutes.

Our political dialogue is becoming poisonous at all levels.  Even in Canada’s parliament, politicians no longer strive to understand each other.  Instead, they engage in rage-farming, that lovely term for whipping up anger and hatred. The expression of rage and the ability to stimulate it in voters have become one of today’s most esteemed political skill sets.  Snide put-downs and stinging one-liners have replaced thoughtful debates. 

In a historical sense, our society has been here before.  The 1930s, otherwise known as the Dirty Thirties, shared many of the frightening dynamics we see in our current decade.  Back then, there was extreme income disparity.  There was the Great Depression and loss of employment.  People were looking for scapegoats. There was a huge spike in antisemitism. There was a global shift to more right-wing governments. Moderates were deposed by tyrants.  That decade ended with the rise of fascism and the outbreak of World War II.  That war ultimately led to the deaths of over 40 million people.

We could spend hours on international trends, history, and systemic causes of hate.  Who is to blame? While such an analysis might provide a more complete context for the current moment, what can this exploration really tell us about what is going on in Peterborough right now?  Bigotry and hatred are constant undercurrents in any community in Ontario. But until recently, those undercurrents stayed out of sight and remained unexpressed.  Now they are crawling out of the dark and in full view for all to see. 

Finally, a few words about our panel.  As listeners, you should know who you are about to listen to; we are a diverse collection of individuals of assorted ages, backgrounds, genders and political inclinations.  Some of us are members of groups who have been victims of hatred.  All of us live in Peterborough.  All of us have a stake in creating a community free of hate. Thanks to panellists Stephen Wright, Jill Tilley, Annie Jaeger and Dane Bland for taking part in this panel discussion. This episode was recorded online on December 17, 2022.

For more information on Stephen Wright’s campaign to be Mayor of Peterborough, go to https://sawright.ca/. The municipal election is on October 24th. Be sure your name is on the voter’s list; you can check for your name here,

The two musical interludes in this episode were sourced from the Creative Commons. In order of appearance…Artist: LukHash – Music: “The Other Side”; Artist: Le Conquerant – Music: ” Guitar”

Canada is much more than an aggregate of lofty values and postcard scenery. It is a messy, divided country, steeped in unresolved conflicts.  English vs.French.  Urban vs. Rural. East vs.West. Indigenous vs. settler. Indigenous/settler vs. immigrant.  Rich elites vs. the rest of us.  And now vaxxed vs. anti-vax. How do we bridge the gap between our ideal social face that we virtuously present to the world, and our less-charming, true day-to-day grimace?

Our guests –mayoralty candidate and city councillor Stephen Wright and law clerk, photographer and comedian Jill Tilley–assess the rise of strident populism as manifest by the trucker convoys of the past winter in Ottawa and across the country. Our discussion looks at the implications of Quebec’s Bill-21 for religious freedoms; we bravely try to unravel the arcane mysteries of our Charter’s infamous notwithstanding clause.

Then we briefly look at the regrettably Canadian habit of cloaking our racism in superficial politeness. Our discussion moves on to examine how much of our newfound argumentativeness is due to the explosive growth in the use of social media for political purposes, particularly during the pandemic. And we ask if this expanded use of social media is feeding the growth in overt expressions of racism in both Canada and Peterborough.

In closing, we explore the disquieting contrast between our immediate welcoming of white Ukrainian refugees and our bureaucratic tedium in admitting middle-eastern Syrians and Afghanis, also displaced by war. Oh, Canada…This discussion was recorded on Saturday, June 25, 2022

The future is always a secret cache of promise and menace. But Spring 2022 finds us in Peterborough awash in a unique flood of unknowns.  We are facing two elections:  the Ontario provincial vote on June 2 & the municipal election on Oct 24.  The ongoing war in Ukraine is upsetting markets and adding to supply chain woes, thereby inflating the prices of everything.  Prices for real estate, rent, fuel and food were surging before the war, and now they are going through the roof. Salaries are not keeping up. Homelessness is on the rise. Inflation is climbing.

We are done with the pandemic but the pandemic may not be done with us.  Most people are adhering to the guidelines issued by Peterborough Public Health, but a vocal minority refuses to abide by those guidelines.  The pro-vaccine / anti-vaccine issue is dividing friends and families.

In 2021, Peterborough had 44 deaths due to opioid overdoes or drug poisoning. As of the end of April, there were 14 additional deaths. Despite progress with a safe consumption site and perhaps a clean drug supply, the opioid crisis is still with us. Many businesses have struggled during the pandemic; some have had to close. Our downtown needs help. And on Saturday, May 21st, our region was hammered by a highly destructive wind storm; some Peterborough residents are still without electricity.

And all of these trends and dilemmas are taking place under the
looming thunderclouds of the climate crisis.  The IPCC Report released on February 27, 2022, says “This report is a dire warning on the consequences of inaction…It shows that climate change is a grave and mounting threat to our wellbeing and a healthy planet”.

So many of these issues are far beyond our local control. While we cannot “future-proof” Peterborough against all of these issues, what can we do as a community to play the hand that the immanent future is about to deal us? The future is here right now. And the future always shows up locally first.

Listen to what our guest panel says about the issues we should address in order to improve the resilience of our community and our region. The panel grapples with the issues of poverty, housing insecurity, food insecurity, urban planning, community solidarity and climate disruptions. I need to thank panellists Stephen Wright, Annie Jaeger, Dane Bland and Cheryl Lyon for their enthusiasm and their provocative ideas. This panel discussion was recorded online on Sunday, May 29th.

The two musical interludes in this episode were sourced from the Creative Commons. In order of appearance…Artist: LukHash – Music: “The Other Side”; Artist: Le Conquerant – Music: ” Guitar“

On March 21, 2022, the Canadian Environmental Law Association (CELA) was in Federal Court on behalf of Citizens Against Radioactive Neighbourhoods (CARN — https://www.nopellets.ca/).  CARN has asked the Federal Court to reconsider a decision by the Canadian Nuclear Safety Commission (CNSC). This Judicial Review has attempted to prevent nuclear fuel pellets from being made in a residential neighbourhood next to an elementary school.

The original decision to approve this change in operations came down on December 18, 2020. This decision approved a 10-year licence for BWXT to produce uranium fuel pellets at their facility located in downtown Peterborough on Monaghan Road south of Sherbrooke, just 25 metres from the Prince of Wales Elementary School playground. CARN sought an order from the Court declaring that the CNSC’s issuance of the licence was unlawful, and for the licence conditions allowing for this change to be deemed invalid and of no effect.

This episode was recorded on March 15 with Peter Harris, one of CARN’s organizers. Harris explains the approval process entailed in the potential certification of this nuclear manufacturing operation. He also reviews the health and safety implications of this operation for the community surrounding BWXT’s plant in the legacy GE Hitachi building on Monaghan Road. CARN was unable to identify any other nuclear facility of this type located next to a school anywhere. The Court’s decision will be announced anywhere between 2 and 6 months following the Review.

Panellists Jilly Tilley, Dane Bland, Annie Jaeger and Stephen Wright evaluate the damage of these weeks of civil unrest and measure the potential political impact of these events on future elections. In assessing the comparative performance of our federal political parties in responding to these protests, Dane Bland concluded, “We all lost”. The panel explores the impact of social media on supporters and the general population. They also look at the policing of these protests across the country. This discussion was recorded online on February 27.

Having listened to the author read at her virtual book launch last fall, we were reminded again of the deep pleasure of putting aside all our preoccupations and allowing ourselves to be read to. Urchin is a mesmerizing tale from another time that resonates with an authentic tone across today’s world. The musicality of Story’s voice and her deep sense of place –having grown up in St. John’s- creates a thoroughly engaging listening experience. Enjoy!

The first two musical interludes on this episode were sourced from the Creative Commons. In order of appearance…Artist: LukHash – Music: “The Other Side”; Artist: Le Conquerant – Music: “ Guitario“

The exit music was sourced from the Memorial University of Newfoundland Digital Archives Initiative —Artist: The St. John’s Extension Choir – Music: Ode to Newfoundland